Throwback Thursday: the Monogram (?) glow-in-the-dark Godzilla model!

Now here is a treasure from my 1980’s boyhood — the glow-in-the-dark Godzilla model.  When I sat down to pull up some background on this, I first thought that this was one of the Aurora model kits.  It indeed started out as one.  But I think it’s more likely that I had the one produced from the same mold by Monogram, which was released in 1978.  (Mine was a Christmas or birthday present around 1980 or so.)

This was a sturdy model, as it survived just fine amid the debris of that disastrous desk I kept as a second grader.  And its glow-in-the-dark head and hands were damn cool.

Dear God, did I love this thing.

 

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Oh! Just one more Thing tonight!!

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You’re glad I reminded you, aren’t you?

I told Pete Harrison the other night that I watched the 2011 prequel to John Carpenter’s 1982 masterpiece, “The Thing.”

He simply responded, “Why?”

To me and undoubtedly many others, the 80’s classic will always be the paradigmatic horror – science fiction movie.  Because I admire a well made house as much as anyone, but AIN’T NO CARPENTER LIKE JOHN CARPENTER.  (Nobody repeat that, I want to copyright it and sell bumper stickers at horror conventions.)

Yes, the recent prequel inexplicably has the exact same title as the 1982 movie, and I have no frikkin’ idea why.  That just seems … deliberately stupid.  Nor is that the 2011 film’s only flaw … it’s universally maligned.

Does the 2011 outing really deserve all its bad press?  I say no.  Among other things, it delivered some fine goopity-gloppity monster goodness, delivered by an archetypal flying saucer, no less.  That’s something that I find refreshing in a horror movie marketplace that just seems inundated with demons and ghosts.  (I loved “Insidious,” but enough already.)

C’mon, Hollywood.  There are plenty of horror fans out there who grew up loving giant ants, Marine-baiting “Aliens,” werewolves, swarms of spiders troubling William Shatner, and the adversaries of Godzilla.  It’s why I gave a positive review to this year’s “Jurassic World,” despite a script of the same quality as that of “Gilligan’s Island.”  I want to see velociraptors chase a speeding truck.  I will ALWAYS want to see velociraptors chase a speeding truck.

And … I liked the 2011 movie’s protagonist!  Trying to mimic MacReady’s cunning anti-hero would have redundant!  This story featured a smart, young lady scientist who turned out to be tough under pressure.  That kinda worked for me.

I actually have seen 1951’s “The Thing From Another World,” but that was 30 years ago on VHS, with my “Movie Uncle,” John Muth.  I have NOT read “Who Goes There?,” John W. Campbell, Jr.’s 1938 novella upon which all of these films were based.  But I’m planning to.  (Last time I checked, it was floating around online somewhere.)

I’m just waiting for the first big blizzard to hit next winter.  Because ATMOSPHERE.

A brief review of “Godzilla” (2014)

I liked it!  It’s no “Blade Runner,” but it’s a fun way to escape a rainy Saturday.

There is a lot of fun fan service for those who remember the original movies.  For one, the creature design isn’t “Jurassic Park” — it deliberately recalls the man-in-the-rubber-suit effects of the Japanese films.  And they made sure to include that impossible to forget (or write) REEEEEEEIIIIAAAAAAARRRGH.

I might be imagining things, but I’m pretty sure the baddies here are deliberately reminiscent of “Cloverfield” (2008).  That was funny.

There is a long and overwrought subplot monopolizing the first half of the film, involving a bereaved Bryan Cranston.  Whatever this was meant to achieve in terms of character motivations, it kinda wasn’t worth it to delay the arrival of giant monsters.  I’m pretty sure that people don’t go to a Godzilla movie to see Bryan Cranston.

Actually … I take that back.  That dude is so popular that it’s entirely possible that people do go to a Godzilla movie to see Bryan Cranston.

 

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