If you are a horror fan, you’re in for a rare treat. Stop over at The Bees Are Dead to read Dennis Villelmi’s interview with Lia Beldam, who portrayed the woman in Room 237 in Stanley Kubrick’s 1980 adaptation of Stephen King’s “The Shining.” (Fans of the 1977 novel and its 2013 sequel, “Doctor Sleep,” may recognize the character as the ghost of Lorraine Massey.)
Dennis chatted with Ms. Beldam about a few different aspects of filming — including her experiences with Kubrick and Jack Nicholson. It’s great stuff.
Hey, gang — if you missed its appearance last week over at The Bees Are Dead, here is the audio for my reading of Philippe Atherton-Blenkiron’s “Operation Staffhound.” The poem is from his superb 2014 dystopian science fiction novel in poetry format, “The Pustoy.”
“Operation Staffhound” describes the brutal domestic police force employed by Lev Solokov, the future dictator of Britain and the novel’s central antagonist.
I’m happy today to be able to share The Bees Are Dead’s release of my audio recording of “Operation Staffhound,” by Philippe Atherton-Blenkiron. This truly excellent poem is an excerpt from his 2014 dystopian novel in verse format, “The Pustoy.” (I quite positively reviewed the book both here at the blog and over at Amazon, where it can be purchased — “Operation Staffhound” might be my favorite poem in the complete work.)
“The Pustoy” is a particularly dark science fiction epic that imagines a genocidal dictator, Lev Solokov, ruling a nightmarish future Britain. The brutal “Staffhounds” are his fascist foot-soldiers in the streets.
I had great fun reading the poem. I’m grateful to Philippe for allowing me to interpret it, and to The Bees Are Dead for sharing my recording with its audience:
Today is the first day of Autumn. Why not stop over at The Bees Are Dead, and mark the encroaching cold with a few dark futuristic visions?
There you’ll find Gary Glauber’s “After the Deluge”, which is a sanguine twist on the usual narrative of the post-apocalyptic poem. There is also some truly arresting photography — Paul Gerrard’s “Monochromatic Beginnings” is shudder-inducing and delightfully monstrous, and Kathryn Nee’s ““Windows into the End” is a haunting exhibition of abandonment art.